Not much is known about Dante's education, and it is presumed he studied at home. It is known that he studied Tuscan poetry, at a time when the
During the "Secoli Bui" (Dark Ages),
At 18, Dante met Guido Cavalcanti, Lapo Gianni, Cino da Pistoia, and soon after Brunetto Latini; together they became the leaders of Dolce Stil Novo ("The Sweet New Style"). Brunetto later received a special mention in the Divine Comedy (Inferno, XV, 82), for what he had taught Dante. Nor speaking less on that account, I go With Ser Brunetto, and I ask who are His most known and most eminent companions. Some fifty poetical components by Dante are known (the so-called Rime, rhymes), others being included in the later Vita Nuova and Convivio. Other studies are reported, or deduced from Vita Nuova or the Comedy, regarding painting and music.
When he was nine years old he met Beatrice Portinari, daughter of Folco Portinari, with whom he fell in love "at first sight", and apparently without even having spoken to her. He saw her frequently after age 18, often exchanging greetings in the street, but he never knew her well—he effectively set the example for the so-called "courtly love". It is hard now to understand what this love actually comprised, but something extremely important for Italian culture was happening. It was in the name of this love that Dante gave his imprint to the Stil Novo and would lead poets and writers to discover the themes of Love (Amore), which had never been so emphasized before. Love for Beatrice (as in a different manner Petrarch would show for his Laura) would apparently be the reason for poetry and for living, together with political passions.
When Beatrice died in 1290, Dante tried to find a refuge in Latin literature. The Convivio reveals that he had read Boethius's De consolatione philosophiae and
He then dedicated himself to philosophical studies at religious schools like the Dominican one in Santa Maria Novella. He took part in the disputes that the two principal mendicant orders (Franciscan and Dominican) publicly or indirectly held in Florence, the former explaining the doctrine of the mystics and of San Bonaventura, the latter presenting Saint Thomas Aquinas' theories.
This "excessive" passion for philosophy would later be criticized by the character Beatrice, in Purgatorio, the second book of the Comedy.